Vince has been in the Northern Nevada music scene since the mid 1980s. Owner of “Play Your Own Music” in Carson City, Vince continues to support the local music scene daily. In 2008, he was named one of Reno’s top 101 “The List: 101 who mattered”, (“some of the many people who’ve had a major influence on the musical world of Northern Nevada”) Vince’s passion for Pink Floyd started early in life. As a young guitar player, he studied David Gilmour’s licks and technique into the early morning. As an adult, he has come to appreciate the significance of the diverse socio-political message of Pink Floyd.
So what is the process? There are so many personalities in the music business. There’s the meticulous, the careful, the technical, the flash. I’ve studied them all and have attempted to get inside their heads by listening very carefully and learning their approach. Sometimes you just say, man I can’t even get close to what this guy is doing and listen in awe. The inspiration is motivating. Lucky for me I’m recreating the music of a keyboard player named Richard Wright, who’s role in Pink Floyd aligns very closely to who I am as a player. He provides the atmosphere, the clouds passing by, the waves on the shore, the birds in the distance and the thunder clouds that surround the music. He’s the unifying element that is always there supporting the other players. He’s probably the most underrated player in rock music. I’ve often wondered if he simply improvised perfection by accident or by design. I never hear him play the same thing twice. You would think that the studio recordings would be the perfect version, but then he will play something completely different live, and still it all works.
My task is to learn his method and get inside his head. This requires a lot of listening. It can take months, years to get close to it. I’ve been playing Pink Floyd live in front of audiences for over 14 years, and still hear new stuff in old parts all the time. Every year when that The Floyd starts a new season, I go back and do revisions with a precise, analytical approach, having developed the ability to isolate parts mentally when listening to music and transcribe to paper what is on the recording. Doing this not to memorize but to recreate exactly what Richard played. Sure, I could learn the chords and play the parts the way Rob Lawrence would naturally do them, but the parts must contain all the voices, chord inversions, the timing and natural intuitive process of the musician who wrote and recorded the parts originally. When you hear my keyboards on stage, you are hearing as close to what Richard Wright played as possibile.
I’ve played in many cover bands over the years and I can safely say that The Floyd is the top of the mountain in a life full of musical experiences for me. We’re a family with mutual respect. We’re fans of each other and consider it a privilege to share the stage playing music that we love together.
Jeff is our newest full time band member . Vince Gates has been well aware of Jeff’s qualifications for a very long time, and saw Jeff as a perfect fit to fill the shoes of outgoing Sax Player, Joel Edwards, who has been with us since the beginning. Jeff will bring his many musical talents to the band, versatile on Keyboards and Guitar, as well as with his primary contribution on Saxophone.
After playing with legendary Reno rock bands “Somebody’s Kids” and “Razor Maid”, Curt Mitchell was one of the founding members of the hard rock band “Bangalore Choir”. Their debut album was produced by Max Norman (Ozzy Osborne, Megadeath), and featured songs co written by Jon Bon Jovi and Aldo Nova. The album “Cadence” was released in 2010 through the German label “AOR Heaven”, and the latest Bangalore Choir album “Metaphor” was released in April 2012. Curt has sold over 1 million copies of various “Learn to play guitar in the style of…” videos marketed by “Learn to Burn” and “MVP” videos over the past 20 years and has been teaching guitar in the Carson City area for over 7 years.
Drumming chose Dean at a young age. His passion to play has taken him on an incredible journey for over 35 years. He started out playing the drum s with his brother in grade-school bands. The bands later found him playing many styles on regional tours while in college. Around that time he began to teach drumming professionally. Today Dean is an advocate for drumming of all types including West African styles and drumming for community and personal wellness. He is the founding host of the Reno-Tahoe drum circle which has been ongoing in Northern Nevada for six years. Dean says, “Playing Pink Floyd is an incredible experience. It brings me back to the way it made me feel when I first heard the magic of their music. My goal is to do the same for our audiences. Playing and working with the incredibly talented musicians and technicians in The Floyd tribute is a dream come true”